Throughout his career Danish artist Thomas Bang (*1938) has focussed on various aspects of "fragility" and "vulnerability", both as physical and psychological states. His new monograph is a survey of his sculptural practice, which he understands as an ongoing investigation into and a reflection on the the ever-changing and provisional aspects of our human environment. Four multifaceted essays trace his formative years as a painter in the early 1960s, his subsequent development as a sculptor, his activities as part of the New York art scene since 1970, up to his most recent largescale installations and wall-mounted works.
That incomparable melancholy in Edward Hopper's pictures occasionally leads us to look at the details of his life. Where exactly did this master of loneliness live and work? What were his most impo...
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