The main characters in the novel are miniaturists in the Ottoman Empire, one of whom is murdered in the first chapter. From this point, Pamuk — in a postmodern style reminiscent of Jorge Luis Borges — plays with the reader and with literary conventions. The novel incorporates metafiction in such ways as making frequent reference to the reader and to the narrators' awareness that they are characters in a book.
Each chapter of the novel has a different narrator, and usually there are thematic and chronological connections between chapters. In addition, unexpected voices are used, such as the corpse of the murdered, a coin, Satan, two dervishes, and the color red. Each of these "unusual" narrators is contributed by specific characters, who detail the philosophical system of 16th century Istanbul. The novel blends mystery, romance, and philosophical puzzles, illustrating the reign of Ottoman Sultan Murat III during nine snowy winter days in 1591.
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