"American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms-its existential interactions with the outside world. Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time-not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the "symposium of the whole.""--
From Paris in the 1920's to the student strikes at San Francisco State in the 1960's, Kay Boyle chronicled much of the twentieth century. This collection includes all her published poetry as well a...
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