The Happy End of Franz Kafka's 'Amerika' is Martin Kippenberger's largest and most complex work. The artist spent several years preparing, researching and producing it. The installation, set out on a stylised football pitch, is made up of fifty table and chair ensembles. Alongside classic design icons and found pieces, it also includes furniture especially produced by Kippenberger as well as pieces by numerous befriended artists, including Cosima von Bonin, Tony Oursler, Ulrich Strothjohann and Jason Rhodes. The publication examines the work from various perspectives. It is the first time, thanks to extensive research, that the 'biographies' of the individual objects and the contexts of their creation and collection have been documented in such a detailed way, offering a new way to approach Martin Kippenberger's life and oeuvre. Text: Gisela Capitain, Lisa Franzen, Peter Gorschlüter, Rembert Hüser, Sarah Khan
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Fantasy Art , diese farbenfrohe Mischung aus Mythen, Muskeln und sexy Jungfrauen, geht zurück bis ins Jahr 1923, dem Jahr der Veröffentlichung des Weird Tales -Magazins. Das Genre wurde in den 1960...
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